How to pose full-length in front of the camera. How to pose for a photo. Advice from a non-professional model. tips for a successful photo shoot

You will need:

Appearance

Almost every person has things that he would like to emphasize and show, and there are things that should not be emphasized.

First you need to think about which facial features and body parts leave much to be desired.

Any flaws can be easily hidden by specially choosing poses when they are not particularly noticeable.

Now look at yourself from the outside. This way you will understand in which angle you look best. Of course, the best option is when you have a huge mirror at home, where you can see not only your face, but also your full length. If not, at least work on your facial expressions.

Be clear about the body position and facial expression that show you in the best light.

As a result, you will already know what is worth hiding and what, on the contrary, should be demonstrated during the next photo shoot or in other circumstances. Accordingly, you feel much more confident and natural.

Men

There are no specific rules in male posing for photography.

A man's photo should emphasize masculinity, strength, confidence, in other words, reflect masculinity.

Otherwise, if you do not comply with these simple rules, the portrait will look more like a female or creative image.

Images of exemplary men's photos can be found in fashion glossy magazines.

Women

As for women, everything is practically the same, exactly the opposite. Girls should show their lightness, softness, tenderness, and sometimes modesty.

The variety of poses and moods depends on the photographer’s idea and the nature of the photo shoot. The mood of the shoot should be reflected in the photograph. Choose a pose yourself, or together with a photographer, make the right “face” and start shooting.

Emotions

Of course, in addition to poses, this is one of the key aspects of successful and professional shooting. After all, it is the conveyance of emotions that determines how long people will look at your photo, and whether they will like these photos.

Soulful and emotional photographs can evoke different feelings - sadness, melancholy, sadness, sympathy, thoughts about lofty things, about life, etc. It is the face in the photograph that conveys all the emotions of both the girl and the man.

If you portray yourself as bright and positive in the photo, this should lift the person’s mood and make him feel happy and joyful. Show people a show, turn yourself inside out, but show them! Play with people using different personas.

Don't forget that your face should match your body position. If there is uncertainty on the face, the body should also show it. And if you show tenderness and softness, then the corresponding features should be present in your body curves. Don't allow imbalance!

During a photo shoot, try to cope with shyness so that you don’t see it in the photo later. Don’t think about how bad you may look, that you are standing incorrectly, that the poses suggested by the photographer do not suit you - you have worked out everything clearly at home, be confident in yourself and your abilities! And with regular filming, your fear will definitely go away.

How to pose correctly for a photographer

How to learn to pose?

  • To begin with, in the absence of much experience, you can seek help from fashion magazines and look at photo shoots of famous people on the Internet. Glossy magazines are good because they always follow the latest trends and innovations in the fashion world. Every new release will keep you updated on all developments.
  • Try on every look you've seen and feel like you're in the shoes of the models. After trying on a few times in front of the mirror, you will clearly know what suits you best.
  • If we take the Internet as a source, then there is certainly a lot of garbage here. However, there will be more choice, and for some it will be more convenient to view photos on their computer.
  • You can even download some e-books on how to pose. In general, everything is in your hands - there is a lot of information, you just need to be able to use it correctly so that the poses and photographs please not only you, but also those around you. We hope you won’t have any problems with this, and the photographer will be pleased with working with you.

How to take photos

7 tips for a successful photo shoot:

  1. The back should be straight and the shoulders should not be skewed. General position the body should look natural and relaxed.
  2. Turn slightly sideways towards the camera - three-quarters will be enough.
  3. If you tend to be overweight, analyze your photos and you will see in what position you look slimmer, choose this pose for the next shoot.
  4. Position your feet correctly. Even in a half-length portrait, due to the incorrect positioning of the legs, all the incorrect bends of the body will be visible.
  5. The feet should not be parallel to each other. An angle of 30-45 degrees is the best option. Place the bulk of your body weight on your back leg.
  6. Hands should not hang. It is better to take some object or hide them in the pockets of your trousers or jeans, but so that your thumbs are visible.
  7. Make a pleasant facial expression, maybe with a smile. But the face should be natural, do not make “duck” lips or a very surprised face. You can also tilt your head a little for a mysterious effect, but not too much.

In conclusion, please draw your attention to the most current and common poses:

Conclusion

Conclusion

Have fun experimenting. Bright and unforgettable pictures for you. And remember, the main thing is not to be afraid, not to have complexes and not to be tight! The camera loves open, uncomplicated people. Find your look!

How to pose for photographs correctly: instructions for beginner photographers

Learning the posing process for new photographers can sometimes seem more complicated than the basics of manual adjustments. However, all these posing “rules” boil down to a set of basic ideas that can help a photographer create a captivating pose without imitating the work of another photographer. Remember these basic four rules so that pose doesn't become a problem for you and your photos.

Whatever is closest to the camera always appears largest

If you keep your elbows out to your sides rather than pointing them forward, your arms will appear smaller.

Placing objects within the photographic plane gives our brain 3D cues. If placed incorrectly, our brain will automatically assume that the object is larger than it is. real life. Objects, including body parts, that are closest to the camera always appear largest. If you were to photograph a model with her hands in her hair and her elbows pointing directly in front of her, her hands would look unnaturally large. Instead, leave your hands in her hair, but spread them out to the sides.
Outside of learning how to pose for photographs, this idea can also be applied on camera. If you are photographing pregnant women, avoid shooting the belly from above or you will accentuate and accentuate the belly. Shooting your subject at eye level is usually the best option. Shooting a little higher in this situation is almost universal, features such as the eyes will be emphasized and the body will appear slimmer. Sometimes, some subjects can be shot from a low angle to make them appear taller, but low angles are not suitable for all body types.

Shots in which the object is directly opposite will make it appear large in the photo, but if the photo is taken at an angle, the object will appear small

For a photo where the torso appears thinner, you need to have the camera at an angle when taking the photo, but if you want the athlete to look big and strong, keep his shoulder line parallel to the camera.

The idea that a camera adds ten kilos is not a myth - while we can "see in 3D", in a photograph we only see two-dimensional information. The trick is to use 2D to your advantage and not the other way around.

If you position the model so that the shoulder line is parallel to the camera, they will look wide. If one of the shoulders is outside the camera's viewing angle, and the model is standing in the corner of the frame, the shoulders will appear narrow. Knowing why this happens will help you choose a pose for your model. If you're filming a football player and you want him to look big and tough, place him directly in front of the camera. If you're filming a new mom and she's "uncomfortable" in her new body, move her away from the camera and shoot at an angle. This way you can make your SIM cards more attractive.

Angles are always flattering

Angles, whether it's an arm angle or high-angle shots, are usually universally flattering.

Nervous models often ask their photographers, “What should I do with my hands?” Hands can be placed side by side in various ways, but the big idea is to distribute the space between the arms and torso to create angles. There are no hard and fast rules about where your hands should be - on your hips, in your hair, or gently touching your chin or resting against a wall - the idea is to keep them away from your body.

The angles can extend to the legs too - a slight taper on one leg creates a more interesting and seductive pose... The knee can be pushed forward a little, one leg can be placed a little further forward than the other, or the weight can be shifted to one leg, which will also improve the pose.

Shoulders back, chin forward

The chin and shoulders are often problem areas in photos, so check them before you take the photo.

With the chin and shoulders in the wrong position, every person has a double chin and full arms. Watch for loose skin under the chin, and ask your model to move her chin forward a little when you notice it. He or she might feel a little awkward, but a double chin in a photo will upset them more.

Shoulders are another common problem area. When creating angles with your hands, in order to visually make your torso thinner, you should also spread your shoulders, straighten up, and pull your chin forward; this will be another optical trick that will emphasize the face. Rolling the shoulders back becomes especially important when the model is wearing a strapless dress or sleeveless top - watch for any protruding skin above the top of the dress and correct the posture by moving the shoulders back a little.

Important details:

Hair - Watch out for stray hairs to save time when editing. WITH long hair experiment with throwing them back or vice versa.

Eyes are often what create the mood of a photograph. Make sure your eyes convey the right emotions.

Nose - The nose will look larger if the tip extends beyond the face and into the background. If you notice the nose beyond the cheekbones, make the angle less radical.

Chin - double check for double chins J

Shoulders and hips - Be a little away from the camera for the most flattering pose unless you want the model to look bigger, such as when photographing athletes.

Hands - Create angles with your hands, but use light pressure on parts of the body to make the pose seem more relaxed.

Legs - Place one knee forward and the other leg back for full-length photos.

Weird framing - don't ruin a good pose with weird framing. No need to crop the joints in the photos.

Posing is a difficult task for new photographers, but by focusing on a few basic concepts, you can easily find a harmonious pose for your subject.

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Successful photographs are memories forever. And if in order for everything to be perfect, you have to take a thousand and one shots, then we hasten to rejoice that there is salvation from this. It’s enough to know how to place your foot, how to turn your head, how to effectively extend your hand - and good shots are guaranteed. Professional photographer Marina Khomenko shares juicy photographs and posing secrets on her blog.

Marina lives in Bali. Before moving to the island, she and her husband lived in a small village in Primorsky Krai. They had their own store there. But 2 years ago the couple decided to completely change their life, and the girl publishes the result of this on her Instagram. We are in website We love high-quality photographs and want to learn how to take the same ones, so Marina and her account became the object of research for us.

How to relax in front of the camera

The fear of being constrained or awkward is the most striking of our fears. People who come to a photo shoot for the first time are often very shy. Choose a photographer with whom you feel comfortable. Chat with him before shooting, tell him what kind of pictures you are waiting for, what you are afraid of.

To overcome strong anxiety, breathe deeply: inhale through your nose, exhale through your mouth. Let your muscles relax, you can even jump. Don't try to smile unless you're sure it's natural to smile. Remember to keep moving while shooting. Work with your shoulders, body, head, transfer your body weight from one leg to the other. But don’t rush too much: first you changed your legs, then your arms, worked your shoulders, looked away in the other direction, and so on. This way you have a better chance of getting good photos.

On whom does the result depend?

The photographer usually has much more responsibility. He will always find contact with you and try to conduct a photo shoot in a positive environment. And it will definitely help you with posing. You can experience pleasure not only from the pictures received after a month, but also from the shooting process. And this greatly improves self-esteem. Choose the “right” photographer, and you will want to return to him more than once.

How to hide figure flaws

  • Keep your back straight and your shoulders back.
  • Make the maximum bend in your back to make your figure graceful.
  • When taking pictures sideways, do not press your arms close to your body: even if your forearm is thin, it will still end up flattened.
  • Watch your feet - pull your toes.
  • The body should be directed away from the camera, the arms should not be pressed, so that the waist is visible.
  • To make your legs appear longer, turn them slightly to the side.
  • Lifehack for a beach photo shoot: the best thing to wear one piece swimsuit. It will also look beautiful if the lower edges of the swimming trunks are pulled up a little.

Posing for portraits

  • Relax your face, you can squint your eyes a little, but just don’t overdo it. Otherwise, you will “sleep” in all frames.
  • Don't make a pout with your lips; it looks ridiculous in the photo. This is suitable for selfies where you can see and control your face.
  • You can breathe through your mouth, open it slightly. But only slightly!
  • If your hands are in the frame, relax your hands and do not turn their backs towards the camera.
  • Don't hang your head low to avoid a double chin.
  • And the most important thing is a good mood! Then posing will not be difficult.

Where to put your hands

  • Try to position your hands sideways to the camera, but do not strain them.
  • When posing, one hand can be left at the waist, and the other one can be lowered down in front of the leg.
  • You can cross your arms under your chest. But note that both brushes should be visible and should be directed sideways towards the camera.
  • Don't hide one hand under your arm.
  • Looks good if you put only your thumbs in your pockets.
  • Beautifully placed hands near the face are the key to a cool and unusual portrait.

What to do with your feet

  • Place your feet on your toes. This not only lengthens them, but also makes them more graceful - it’s not just that high-heeled shoes were invented.
  • Do not point your knees towards the camera, so as not to add 2-3 extra pounds to your legs.
  • Try to change your position when posing, and don't forget to move to get more successful shots.
  • Watch your feet. Do not bend your toes too far down and do not bend your toes too far up. Let the curve of the foot be straight or shoe-shaped. It happens that everything in the photo is perfect, the model has positioned her leg and foot correctly, and her big toe sticks up, so much so that it attracts attention. This photo is immediately in the firebox.

How to pose correctly for a photo shoot is a question that I never asked myself until I was about forty. I didn’t take photos often, sometimes they turned out well, sometimes they turned out monstrously. But I managed to perceive successful photos as a gift of fate, and unsuccessful ones... I simply did not perceive them. And never think about it what am I doing wrong in these unfortunate photos.

Now that I run a fashion blog and take photographs a lot and often, I had to delve much deeper into the photography process. It turned out (that is, I theoretically knew this before, but only now felt it with all my skin) that lighting is critically important for a good photo. In the right light, the most ordinary woman can look like a fabulous nymph in a photograph. And bad light will even turn a beauty into a Baba Yaga during the holidays.

Of course, the quality of the camera is also important, and even more important is the skill of the person holding the camera in his hands. But! If you are standing in front of a brilliant photographer in the pose of a pregnant porcupine, the best thing he can do is lower the camera and not shoot.

First of all, the model should know how to make a photo successful

To build the body correctly, take a winning pose, “hide” the flaws of the figure and show the advantages - these tasks are solved on this side of the camera, not on the other. Professional models are taught this, but no one teaches us, mere mortals. But for us this is perhaps even more relevant, because we have something to hide, and for us not every pose will be winning.

Over the two years of filming for my blog, I have accumulated so many bumps that there is enough for everyone. I ruined hundreds of frames - it’s good that they are now digital, otherwise it would have been kilometers of wasted film. But now I know exactly how NOT to pose)))

It would seem that the Internet is full of materials on the topic “How to take a good photo” and “How to pose correctly”

But there are nuances that are very important for an adult woman of significant merit, and which I did not come across in any of these articles; I had to figure them out myself. You will save a lot of time and nerves if you simply use my experience and remember ten simple rules for a successful photo. Believe me, the quality of your photos will change dramatically!

All photos below were taken under the same lighting, with the same camera settings, almost simultaneously. One photographer, one model, the same clothes. Often these are just two adjacent frames. And the result... Judge for yourself.

Rule No. 1. Half-turn pose

You automatically look a size smaller if you stand not facing the camera, but half-turned, with one hip slightly pulled back, and your chest and face turned towards the lens. Plus, if there is a hint of a tummy, then in a full-face pose, the directly incident light makes a molehill out of this. But half a turn - everything is not so critical.

If the light comes from the side, then turn the hip that is less illuminated slightly back. Then the thigh and stomach will seem to go into shadow and the whole silhouette will seem narrower.

Rule #2: When posing in profile, shift your weight back

Everyone recommends taking photos half-turned or almost in profile; this is one of the most popular photo poses. But no one says that the weight must necessarily be placed on the leg that is farthest from the camera. And the leg that is in front should be free, without weight.


On the left, the weight is on the leg in front. And on the right, the leg in front is free

If you lean on the leg in front, your thigh will seem two sizes larger and your butt will look enormous. Lean on the leg that is behind you and move your butt back - this will immediately make you at least a size smaller.

Rule No. 3. Do not stick out the hip that is closest to the camera and the light.

As mentioned above, if you move one hip back to the “dark side”, the entire silhouette seems smaller. But if you put your weight on the thigh that is lit and closest to the camera, it automatically appears larger than it actually is.


Here the light falls from the left and therefore the difference is very clearly visible

The photographer who is photographing you can determine where the light is coming from. But you should always keep this in mind!

Rule No. 4. Get your butt back!!!

Always! Although on catwalks and in glossy magazines we see a fashion trend every year - walking and posing for photos with your belly sticking out forward. Even mannequins in store windows stand in this pose.

But models and mannequins, no matter how much they stick out, they simply have nothing to stick out, they don’t have bellies. But this pose is absolutely not suitable for a woman with curves!


On the left, the stomach moved forward a little. And on the right everything is in place

Regardless of whether you pose full-face or half-turned, always try to straighten your chest as much as possible, straighten your back and move your butt back - it will pull your stomach back with it. And, of course, don’t forget about the abs 😉

Rule No. 5. Don't slouch!

In continuation of the previous point. Don’t slouch, straighten your shoulders - this is so obvious, without this you will never get a successful photo. But how often do we forget about this! Meanwhile, a hunched back and shoulders twisted forward are a guaranteed kill for a good shot. A stooped back not only makes you shorter, it also nullifies your neck, steals your waist, lowers your chest, automatically brings your stomach forward - in short, it does everything that you absolutely should not do!


A twisted back is a waste of a shot!

When taking pictures, repeat to yourself all the time: “Straighten your back!” Straighten your back!” No matter how smooth it already is, there is no limit to perfection.

Rule No. 6. Don't hide your waist!

The waistline, the narrowest point of your body, must be visible in the photo. That's why models often place their hands on their hips, lift them up, or otherwise move them away from their torso. If you press your arms to your body, the sleeves visually merge with the torso - the lines of the body are dead, no one sees them.


There is no figure on the left at all. On the right is another matter!

Always make sure that there is at least a minimum gap between your waist and elbow.

Rule No. 8. Don't hide your neck!

Especially if your neck is not very long anyway. In an attempt to create a “relaxed”, “lively” pose, we often lower our head to our shoulder - and only memories remain from the neck.


Just like on the right - it’s also not necessary, this is an exaggerated example

Keep your head higher - a double chin will not appear in the photo, no matter what, and your neck will be longer.

Rule No. 9. Hands off!

Not quite, of course)) The insidiousness of the “half-turn” pose is that the forearm and hand are in the foreground, closer to the camera. And what is closer to the camera seems larger, this is a property of optics. Don't forget to move your arms back a little - this will make your arms and shoulders look more graceful.


In the photo on the right, the forearm looks smaller and the whole silhouette is lighter

Plus, by moving your arm back a little, you provide the necessary clearance between your waist and elbow.

Rule No. 9. Remove your bare hands even more so!

Everything that is said in paragraph 8 is even more relevant if you are photographed in the summer and with bare hands. Everything that is closer to the camera seems larger, and if it is something else that is light, it looks one and a half times wider. Bare hands can look like skinless sausages if you don't move them away from the camera.


The hands are the same. The view is different

Rule #10: Lift your chin

You can write a separate article and even a book about the rules for shooting portraits; there are a lot of nuances there. I'll just say one thing general rule: All other things being equal, a head slightly raised up looks better than a head lowered down. As mentioned above, by lowering your head, you create a double chin, even if you don’t have one.

And it works here too general principle: Anything closer to the camera appears larger. When you tilt your head forward, your forehead appears larger. When you tilt your head back a little, your lips appear larger 😉

You will say: can a living person remember all this the first time?

And I will answer you: of course not! But, if you systematically don’t like your photos, then maybe it’s time to do something about it? Today everyone has a phone with a camera in their pocket. Practice in front of a mirror, ask a friend to take a photo of you. Take a look at my cheat sheet, try different poses - and you will see what works for you.

With a little practice, you will learn to automatically take a good pose and begin to look at least as good in photos as you are. Or maybe a little better)) After all, photography is not only a technique, but also a little magic 😉

How to learn to pose for the camera

Today, with the abundance of all kinds of gadgets, only the lazy don’t take videos and photos. But photography, as an art, remains a rather complex, and at the same time, fascinating process. Not everyone can fully master it, but by listening to the advice of professionals, you can master the main principles and successfully apply them in practice.

The main task of both the photographer and the model is not just to capture the episode, but to convey a certain mood. In this regard, many aspiring models have a question: how to learn to pose in front of the camera so that the picture is lively and interesting? You can find out the answers to this and many other questions at the photo modeling courses http://nizniy-novgorod.videoforme.ru/styleschool/shkola-modelej, where experienced photographers from the St. Petersburg School of Television share their experience.

A good photograph can be compared to a still from a movie, each of which has a past and a future. own story. Therefore, the first priority for a model should not even be how to pose beautifully for a photo, but to get into this or that image and convey it as naturally as possible.

Before shooting, it is always important to keep two main points in mind:

  • photo concept (immediate purpose of shooting);
  • implementation of the idea.

Concept

The purposes of shooting can be very diverse. For example, I ordered a photo session printed edition for the article. In this case, you should take a series of photographs united by a common concept. Also, a photo shoot can be of a purely commercial nature, when the image is not as important as the selling element. Or is it necessary to raise some social problem, and in this case the mood of the pictures and their subtext plays a decisive role.

In modern photography there is such a term as moodboard https://goo.gl/zLTPVz, or mood board. This device is a special stand on which various details are fixed that create a particular mood on the set: newspaper and magazine clippings, photographs of other models, postcards with landscapes, etc. Charged with a certain atmosphere, models have practically no problems with how to pose correctly in front of the camera.

With experience comes an immediate mood for work: an appropriate image, emotion and posture arises. If this chain is broken, naturalness and organicity disappear. Without emotions and image, any pose will look lifeless and artificial, even if the photographer tells you exactly where and how to stand and what to depict.

For example, if the studio has an office atmosphere, a professional model tunes in to the image of a business woman, is imbued with the appropriate emotions and takes the desired pose. A sports environment requires a different transformation; drive and a sense of movement are important here.

Implementation

The next thing to consider before starting a photo shoot is how to shoot. Lighting is the main point in this matter. If the light is set incorrectly, extra shadows appear on the model’s face, which do not create the desired volume, but only distort the appearance. Shadows should be present, but they should be soft and natural. Therefore, you should always check with the photographer where the main light is coming from and pose based on this. If shooting takes place in the sun, you should use the rule of effective tanning, taking a position so that the light falls evenly.

Another important point that is taken into account for high-quality photographs is the rule of “crop” or cropping the frame. When building a composition, the photographer plans the shot so that the model is full-length, knee-deep, waist-deep, etc. In the latter case, you need to make sure that your arms are not cut off in the frame, and if the photo is waist-length, you should raise them and fold them, as the photographer asks.


How to learn to pose beautifully for photos

In order to master the art of correct posing in a frame, it is important to know about the main mistakes that almost all novice models make.


Hands

Many amateurs forget that the genre of photography is distinguished by its two-dimensionality. What can be shown from all angles in a dynamic video is simply impossible to see in a frozen photograph, even if one wants to. For example, if a model raises her arms and crosses them behind her head, it is important to do this in such a way that the back of her head or other parts of her body do not cover her hands, otherwise the photo will look unnatural.

The same applies to fingers - so that the audience does not think that the model has physical flaws, it is strictly not recommended to hide the fingers. Hands are placed on the belt or crossed behind the head, and if they are lowered, they should not be hidden behind.

One of the main mistakes of models showing off jewelry or a beautiful manicure is to symmetrically wrap their hands around their head. In this case, the audience does not admire the jewelry, but sympathizes with the poor girl who has a headache. You can place your hands near your head, but you need to get creative by trying different, more natural positions.

A model who wants to learn how to pose correctly for a photographer should remember that the arms do not need to be pressed to the body, but always leave a certain space around the waist in order to emphasize it favorably. You can either elegantly place your hands on your belt, or take an object in one hand and hold it at some distance from you. In this case, the hands should be as clearly visible as possible in the picture, and should not “grow” out of the stomach or other parts of the body.

Neck and shoulders

The neck is the main element of femininity, which should be conveyed in the frame from the most advantageous angle. If the model is photographed in profile or half-turn, you should not raise the shoulder closest to the photographer too much and cover your neck with it. On the other hand, this technique is sometimes used to give the image a certain mystery and enigma. To avoid the appearance of unnecessary folds, do not lower your chin too much.


Legs

Leg positions when taking photographs vary. If the model is in a walking pose, it is important to ensure that the leg behind the lead is visible.

Another mistake is to start moving feverishly in the frame after the photographer has given the signal to start shooting, quickly changing poses. This is not a sign of professionalism, but, on the contrary, lack of self-confidence. You need to change positions gradually, carefully monitoring how the light falls and other external factors.

To make it easier to get used to the proposed image and circumstances, you can imagine yourself, for example, as a come to life puppet that is being pulled by the strings, while not forgetting about emotions. First you need to relax, and then do simple exercises on the principle of slowly “breaking” the whole body and its individual parts.

Sometimes it seems to us that in order to bring life into a photo, we must move quickly in the frame, creating some kind of dynamics. However, the lens is much more sensitive than we imagine, and it manages to capture what the human eye sometimes does not pay attention to.

For example, a model who wants to know how to pose for a photo is faced with the task of demonstrating a fashionable raincoat. In the standard understanding, there are two main images and photographs - in a raincoat and without it. But a professional understands what can be done huge amount spectacular intermediate frames while the model puts on or takes off outerwear. It is precisely such photographs that most often turn out to be decisive and most profitable in a photo shoot.

There is no quick and clear answer to the question of how to learn to pose for the camera. Need creative integrated approach and, of course, advice from professionals.